It’s Colonial, I Swear

What happened before the roses came ?

1. Cold Showers and Pink Suits

There’s a special place in hell for cold showers and it’s probably somewhere next to the queue at the passport office. And now you want me to willfully take one, shave, powder my neck, and wear that pink suit that makes me look like a soft loan? Just to go out on a date? Bruh. That’s not love; that’s martyrdom. I did not survive Nairobi water bills to be out here moisturizing for cold balconies and cappuccino dust.

2. Love in the Time of Third Parties

Who even decided that love needs to come with an invoice and VAT? Dating in this economy feels like trying to start a business on a chama budget. You spend thousands to sit across someone in a place where both of you are silently trying to gauge who is more emotionally unavailable, while the waitress thinks you’re about to propose.

3. The Whitewashing of Romance

Let’s talk about it: is the modern date a colonial export? Imported like jazz music and instant noodles? Because, really, how did our grandfathers do it? They didn’t need a date. They needed a strong back, a hoe, and a keen eye for dowry negotiation. Now we’re out here buying roses that die in 48 hours, basically love-shaped perishables and calling it romance.

4. Introverts Anonymous

I’m not antisocial. I’m pro-solitude. There’s a difference. Why must love always be on display, like it’s a talent show and we’re all auditioning for the role of “Emotionally Available Partner ”? Me, I prefer my affection with a side of silence. Just Netflix algorithms that understand me better than most people.

5. The Psychology of Smashing vs Smiling

Some dates feel more like interrogations with ambience. You’re sitting there, trying to chew tasteless pasta gracefully while wondering if she thinks your smile means “I like you” or “I’m just horny.” You’re sweating from trying to remember if you mentioned you were raised Christian or spiritual but not religious.

6. Date Inflation & Emotional Capitalism

Who decided that love must be shown through receipts? That emotional availability must be measured by how many brunches you’ve paid for? I’ve dated women who thought the absence of fine dining was the absence of love. Hey, the pepper in my githeri is a form of affection. Don’t let capitalism gaslight your heart.

7. Domestic Love, Anyone?

Let’s stay home. I can cook, I can serve, and I can even throw in bad jokes for seasoning. No need for that performative laughter at Java. I want us barefoot in the house, arguing about how much salt I put in the food. That, my friends, is real bonding. And I can pause to pee during the movie without missing the plot or the bill.

8. Public Displays of Affection Fatigue

What’s so romantic about someone interrupting your moment to ask “would you like sparkling or still?” Let me love you in sweatpants. Let’s laugh over burnt ugali. Let’s fall asleep on opposite ends of the couch and meet halfway in a dream. That’s the kind of love that doesn’t make it to Instagram, but lasts.

9. Love Without Logistics

The planning of dates stresses me more than the dating itself. Reservations, rides, fitting into attires from 2021, it’s a full-time job. Why can’t we date like we used to play kalongo in childhood? Spontaneous, anarchic, and mostly in someone’s house with limited adult supervision.

10. Let’s Redefine Romance

So no, I’m not taking cold showers for a warm table. That doesn’t mean I love less. I just love differently. Quietly. Deeply. With less garnish and more substance. If love is a language, I speak it fluently in slippers and home-cooked meals. The balcony is cold, the city is expensive, and my pink suit is for weddings only. Choose your battles wisely. Choose your love even wiser.

@okelododdychitchats

Still, I Write

I hate words. 

They slip in when I don’t want them to, 
curl around me like smoke, 
sharp at the edges, soft in the middle, 
always taking more than they give. 

They crash like waves, loud and relentless, 
dig into places I thought were safe, 
fill up the quiet until it isn’t quiet anymore. 
And when they cut, they cut deep. 

But I use them anyway. 
I shape them, mold them, send them out into the world, 
let them dance across pages, spill from my lips, 
like I trust them, like they’ve never left scars. 

And yeah, I’m good at it. 
Words are how I find my way, 
how I turn the mess into meaning, 
how I make sense of the silence. 

But not all words are gentle. 
Some hit like fists, sharp and sudden, 
slice through moments that should’ve been soft. 
They linger in the air long after they’re spoken, 
turning into ghosts that refuse to leave. 

So if I ever throw the wrong ones your way, 
don’t let them fester. 
Call me out. Make me see. 
Because I know words can wound, 
can twist, can take more than they were meant to. 

Still, I write. 
Even when my hands shake. 
Even when the words don’t feel safe. 
Because somewhere beneath it all, 
where kindness still breathes, 
I know there’s light waiting to be found. 

Words can build or break. 
They can hold you together or tear you apart. 
And maybe, if I get them right, 
they’ll be enough to bring me home.

@okelododdychitchats

Death Didn’t Do Us Apart

We stood there, below the soft glow of candlelight,
breathing in the scent of fresh roses,
draped in the hearth like glow of promises
we thought would last forever. 
“For richer or poorer,” we said,
holding hands with our hearts open,
two souls tied in something bigger than ourselves. 

Love felt easy then
like laughter in the spring, 
like whispered dreams in the dark. 
“In sickness and in health,” 
we swore, certain of our strength, 
believing love was enough 
to keep the storms at bay. 

But love doesn’t stop the seasons from changing. 
Leaves still fall. 
The air still grows cold. 
And somewhere between yesterday’s kisses
and today’s silence,
we lost ourselves. 

It wasn’t death that parted us. 
No tragic ending, no final breath. 
Just the slow erosion of trust, 
The burden of unspoken words., 
the sting of knowing 
I was no longer enough. 

You slipped away in pieces
a late reply, a distant stare, 
a touch that felt like a ghost of what it used to be. 
And when the truth came, 
it wasn’t a sudden crash, 
but a quiet breaking, 
like the final glow dying out.  

“Good guys finish last,” they say, 
as if kindness is a weakness, 
as if loving fully means losing completely. 
I should have been harder, 
colder, 
but love, real love, doesn’t wear armor. 
It stands bare, hoping, 
even when hope feels like a foolish thing. 

I still remember the mornings 
the way your laughter filled the room, 
how breakfast in bed felt like a love language, 
how silence between us was once soft, 
not sharp. 

I thought love was something you built, 
something you watered and nurtured, 
but I didn’t see the weeds creeping in, 
the slow suffocation of something beautiful. 
Every I love you became an afterthought, 
every kiss felt borrowed, 
and suddenly, love was just a memory 
we were trying too hard to relive. 

What is love, if not a choice? 
Every day, again and again. 
But choices change. 
And somewhere along the way, 
you stopped choosing me. 

I read books about love, 
but they don’t talk about this part,
the quiet ache, 
the way rooms feel bigger when someone leaves, 
the way time moves on 
even when you beg it to stay still. 

“Good guys suffer,” they call them simps, 
as if love is a game where only the ruthless win. 
But I don’t believe that. 
Not really. 
Because love, real love, doesn’t die. 
It bends, it breaks, 
but it finds a way through the cracks. 

I see you in dreams sometimes, 
smiling like you used to, 
before love became something 
we had to fight for. 
And maybe that’s all we were,
a beautiful thing that wasn’t meant to last. 

But love will come again. 
Maybe softer this time. 
Maybe stronger. 
And when it does, 
I’ll be ready. 

Because love isn’t a weakness. 
It’s a lesson. 
A story. 
A promise we make to ourselves,
that no matter how many times we break, 
we’ll find a way to be whole again.

@okelododdychitchats

When Death Speaks

Let’s talk about death. 
Yes, death. 
I know,
you’re probably wondering, “who talks about death?”
I do. 
I do it courageously, 
yet timidly, 
like a child with a secret too heavy for his pockets, 
but too delicate for his lips. 

I speak of death because I know,
one day, 
I will lie beneath the soil of my ancestors, 
soaking in the dust of my father’s land, 
a homecoming where no one sings. 
Six feet under, I will be, 
like my father before me, 
and the fathers of fathers 
whose names were lost 
long before my tongue learned 
the language of grief. 

I haven’t made peace with death, 
just like you haven’t. 
It presses its weight on my chest, 
a shadow I can’t shake, 
a sorrow buried in silence,
the kind of silence that resounds 
in places where laughter used to be.

The thought of losing someone 
you’re used to seeing 
is a gap
no bridge can span. 
It’s a limb ripped from the body of your soul, 
a phantom pain
that keeps reaching 
for what isn’t there anymore. 
And sure,
you can build prosthetics out of memories, 
fashion artificial limbs 
from old conversations, 
but they will never function 
like the real thing. 

I hate death. 
I hate its finality, 
its audacity to steal 
what we are not ready to lose. 
I hate its silence,
how it robs us of voices 
we still hear in dreams. 

But hate or not, 
death is a truth 
we cannot escape, 
a reality we cannot undo. 

And when it speaks,
there’s always that quiet sorrow,
the truth we’re unwilling to face,
the call we’re afraid to answer,
knowing it’s a summon
we can never ignore.


So, I carry it with me,
not in defeat, 
but in defiance. 
I lace my words with its gravity, 
so that every breath, 
every heartbeat, 
becomes a rebellion 
against the quiet 
waiting at the end. 

@okelododdychitchats

How Busy Can Someone Be?



The clock swallows minutes whole,
Gulping down greetings, gnawing on goodbyes. 
Excuses stack like bricks against a door, 
While silence hums between us,
thick as stone, 
thin as breath. 

A phone vibrates, a message waits, 
Unanswered. 
I see you read it.
A thousand reasons grow in that space, 
But not one blooms into a simple, 
“I’m thinking of you.”

How important must a life be 
To lose the weight of one small word? 
How far must a soul stroll
To forget the way home is paved 
with pause, 
and presence, 
and tender replies? 

What do we build with our busyness? 
A monument of meetings, 
A kingdom of calendars. 
We count every second, 
but never the heartbeats missed 
between deadlines. 

We are architects of absence. 
Masters of the unsaid. 
Too proud, perhaps, 
to admit that we let love sit idle 
while we sharpened schedules into swords 
and called it survival. 

Wahenga na wahenguzi said, 
Akufukuzaye hakuambii toka.
The one chasing you never says leave. 

What are you still waiting for?
What more do you need to realize you’re not wanted?
Respect yourself!…


Somewhere, there is a hand 
reaching for yours, 
A voice waiting at the edge 
of a message unsent. 
Kindness grows fragile 
when left in the dark, 
but it never dies. 

So, how busy can someone be? 
Busy enough to forget,
but not enough 
to stop remembering.

@okelododdychitchats

I Don’t Care

I Don’t Care 

I sit. 
And I watch you. 
You dance in colors that aren’t yours,
A queen in paper armor, 
A prophet of mirrors who fears reflection. 

You laugh loud. 
Louder than truth. 
You wear pride like a coat with the sleeves too short, 
Talking about wisdom you never heard, 
Pointing at horizons you’ve never chased. 
The ground shifts beneath your feet, 
But you don’t feel it. 

And I,
I don’t care. 

You build kingdoms with sand, 
Palaces of opinions stacked like cards. 
The wind speaks warnings in whispers, 
But you never learned to listen to silence. 
So go ahead, 
Stack your stones, 
Yell into the wind. 
I’m not holding the wall when it falls. 

You ask for counsel, 
But only to hear your own thoughts. 
You want change, 
As long as it looks just like you. 
There are cracks in the glass you refuse to see,
A compass that spins and never lands north. 
You follow it anyway. 
I watch. 
I stay still. 
I don’t care. 

What kind of human walks without leaving footprints, 
Shouting justice but stumbling over truth? 
You brandish swords forged from hollow words, 
Slicing wounds in places no one else sees. 
You call it bravery. 
I call it noise. 

Let me be clear,
I don’t care. 
Your storm is yours to drown in, 
Your sea to sink or swim. 
I have my own shores to walk, 
My own sun to chase. 
I’ll breathe air that’s free of your thunder, 
And find my calm beneath skies you can’t reach. 

You tell me to climb your glass mountain, 
But I see through it, 
Thin as pride, 
Fragile as ego. 
I’ll stand at the bottom and watch it shatter. 
You’ll bleed. 
I won’t. 

This is not lethargy,
It’s freedom. 
I won’t wear your chains of validation, 
Won’t dance to the beats of your demands. 
Let the tide rise, 
Let your words fall like rain on someone else’s skin. 

I’ll walk. 
I’ll breathe. 
I’ll write my own name into the wind, 
And let the song belong to me. 

So live your truth,
Call it gospel, 
Call it fire. 
Build your temples, 
Shout your sermons. 
But don’t ask me to kneel. 

The world is vast, 
Full of roads I haven’t walked, 
Of songs I haven’t sung. 
And I will walk them, 
I will sing. 
Unbound. 
Unmoved. 
Unapologetically free. 

I don’t care. 
Not out of spite, 
Not out of scorn, 
But because I refuse,
To be a prisoner of someone else’s storm. 

This is where I leave you. 
Keep your crown. 
I’ll keep my soul. 

@okelododdychitchats

I Remember

I Remember This 

I remember that day like it was yesterday,
When time just… stopped. 
Everything felt heavy, like carrying sacks of maize on my back,
And your words, they hit me,  
Soft but sharp, cutting through the quiet. 
It was the 31st. 
That date? It stayed with me,
Stuck in my chest like a thorn. 
It made me thirsty, not for water,
But for answers, for understanding,
For some kind of meaning that never came. 

We walked, remember? 
Under those jacaranda trees,
Purple petals falling like tiny blessings
Or maybe tears we couldn’t cry. 
The wind? It whispered secrets,   
Or maybe I imagined that too. 
Everything about that moment was a blur,
But your voice? 
Your voice was clear,
Soft, steady,
Like a song from long ago. 

You told me about her,
And I felt it. 
Every. Single. Word. 
Like the weight of rain-soaked clothes
Clinging to my skin. 
I whispered a prayer that day,
Not because I knew what to say,
But because silence felt heavier than speaking. 
“God, please… please guide her home. 
Hold her close. Let her rest.” 

Ooh, Yesu Kristo! 
My heart,
It broke wide open,
And your name slipped from my lips
Along with tears I didn’t even realize were falling. 
Grief, they say, is the price of love,
And we,
We paid in full that day. 
Every tear,
Every ache,
Every silent scream. 

Loss sits in your chest,
Heavy like a stone you can’t put down. 
But even stones wear smooth over time. 
Grace,
That’s what you taught me,
Grace shapes us, 
Even when we’re broken. 

May her soul find peace,
That kind of deep, deep peace 
That feels like warm sun on tired shoulders, 
Like a calm lake at dusk. 
And I’ll carry her, 
Her memory, 
Her laughter, 
Her love,
Because love doesn’t die. 
It just… changes. 
It becomes wind, 
And light, 
And breath. 

Osiepa, 
You’re still here,  In the stories we tell,  In the way we laugh even when it hurts,  In the quiet moments  When memories sit with us
Like a fire we gather around for warmth.

I remember. 
And I always will. 

@okelododdychitchats

Grace in the Details

I’m at this restaurant along Moi Avenue. Its food looks like an upgraded version of Homabay High School meals (you will understand why). I can hardly pronounce its name, let alone write it. Honestly, why name a restaurant this hard? I thought names were supposed to connect with customers. Has that changed? Marketers, is this strategy now a relic of the past, is it a vestigial structure ?

The place is well-designed. It’s a sanctuary carved out of dreams, and that’s what drew me in! I love good designs, but I’ve just learned the hard way that the prettiness of a place doesn’t guarantee the sweetness of its food. Trust me, you can use this in any context you want ! 

The receptionist is a light-skinned lady with poorly done makeup and an attitude to match. I choose to ignore her entirely and look for a seat where I won’t have to see her chewing gum carelessly every time I lift my head. 

I settle next to a window, where I can take in the scenery. It’s beautiful in its own way-not green, but full of life with people walking in different directions, a flock of matatus, and a road that seems to have missed maintenance since independence. 

The waiter here is Grace-at least, that’s what her badge says. She’s beautiful. Her skin is a rich mix of bronze and gold. Her wide, luminous eyes seem to hold a thousand untold stories. She carries a natural beauty that stands out effortlessly, paired with a calm and confident demeanor that speaks volumes about her self-assuredness. Her restaurant uniform is a clean white blouse neatly tucked into a black skirt-looks like it was tailored just for her. The simple outfit hugs her elegant figure perfectly, and the black-and-white contrast gives her a sharp, polished look. She moves with such poise and confidence that something as ordinary as a uniform suddenly seems extraordinary on her. Simplicity has never looked this good. 

Grace approaches me, asking what I’d like to have while taking me through the menu. Everything on it seems mlimarish. I settle for ugali with beef. She tells me, “Hiyo mbando hainjaiva,” in a heavy accent. From her voice, I can tell she’s Meru. Her second name is probably Gitonga, Kendi, or something similarly Meru-sounding. There’s something irresistibly beautiful about the Meru accent. I listen, I judge, and I know, I’m not wrong about this one. 

I decide to wait because my craving for beef won’t let me pick anything else. It feels like I’m nursing a hangover, but I’m not! 

When the food comes, I’m shocked, bana! This is thufu in reality. Tiny chunks of meat are floating in a watery broth, and the ugali is poorly made. To make it worse, they’ve served it with cabbage. My appetite disappears in an instant. I can’t eat this food, it’s beyond poorly done. 

But at least Grace is here. I can enjoy listening to her  accent. She has a heart of gold, and I feel guilty sending the food back. I pay the bill and even leave her a tip. She smiles and says, “Azante. I want to laugh, but I hold back. As she walks back toward the reception, I catch myself admiring her “Nyash,” and honestly, it’s worth every shilling I just spent. Bana Nyathini Kado !

I have no more business here, so it’s time to leave. 

Will I return for the food? Absolutely not. But I’ll come back for Grace, for her smile, her accent, and her presence. I think she might just be the one. Forget the food, this “Nyash” is unmatched!

@okelododdychitchats

Tukutendereza Yesu

State House Road smells fresh, like the air has been scrubbed clean. The rain came down hard, soaking everything in sight, and now I’m walking past YMCA Central, taking it all in. Two holes sit dangerously by the roadside, barely covered with small tree branches – useless at stopping anything from falling in.

It’s still drizzling, but the world feels different. The water in the trenches flows peacefully, no trash clogging it up. The road is strangely clean, almost surreal, but the traffic toward University Way is as crazy as ever. Amid the noise, I can hear people singing. The voices are gentle, calming, carrying the unmistakable melody of an SDA hymn. “Blessed Assurance, Jesus is Mine” floats around me, a song I know will stay in my head long after it fades-just like “Tukutendereza Yesu” always does.

The drizzle is cool against my skin, I can feel gentle drops of water kissing it. It’s almost refreshing, but I’m freezing. I thought I was smart leaving my jacket at home, it would have ruined my look, but now I’m regretting it. Style is one thing, warmth is another. Today, “freeze and shine” is a reality. Style will kill me !

When I get to the bus stop, what we call Stage here in Kenya, I’m lucky enough to find a matatu right away. I climb in and grab a seat at the back, but there’s a random remote sitting there. For a second, I wonder if that’s why the seat was empty. Maybe it belongs to the woman next to me? Turns out, it’s the matatu’s remote. I pick it up, planning to hand it to the makanga when he comes for the fare. 

Finally, I’m warm again, but I’m so tired. My mind feels heavy, and I just want to get home. Looking out the window, I remember it’s Christmas season. But, something feels off. The streets are still crowded, kwani watu hawajaenda ushago hii Christmas!  The shops aren’t decorated like they usually are for Christmas, nothing like the usual festive look we’re used to – no green, no gold, no red. The waiters, shop and supermarket attendants aren’t wearing those red and white Santa hats. Has Christmas lost its magic, or is it just me?

We reach my stage (yes, that’s the bus stop again), and I step out. The drizzle hasn’t let up, and it’s still cold. I pull my scarf tighter and rush home, I just want to escape this cold. 

That’s all for now. Stay warm out there!

Wait a minute, “makanga” is tout. As I warm up at home, I’m going to play “Tukutendereza Yesu!” It always reminds me of my dad, and I love it just as much as I love my dad.

Adios !

@okelododdychitchats

Golden Hue

My skin drips cocoa butter, 
rich and unparalleled, 
like the earth holding stories of rain and sun, 
like a promise whispered by the night. 
It’s dark and beautiful, 
mysterious as a velvet sky laced with stars, 
It tells a story of history. 

It doesn’t glare or dull,
it balances like a seashell 
cupped by moonlight, 
a perfection gleaming in the sun, 
catching light like a secret revealed. 
This is my skin, 
a story of generations, 
a mark of resilience passed down with pride. 

Its scent is Yara cologne, 
layered and lingering, 
a melody made tangible, 
a fragrance infused with culture, 
with memory, with home. 
Every breath of it recalls 
the places, the hands, the voices 
that shaped me. 

Above it rests a crown, 
soft coils and curls that stretch toward the sky. 
Hair that defies gravity yet welcomes touch, 
a crown sculpted by no one but me, 
alive in its strength, its freedom, 
a hymn of self-love in every strand. 

This essence of me,
is seen and felt
it’s carried, 
it’s lived. 
Every inch speaks 
in a language only I can translate, 
a declaration of identity, 
a love letter to the self. 

So let my skin drip cocoa butter, 
let it shine unapologetically. 
Let it sing of power and joy, 
of beauty that doesn’t ask for permission. 
This darkness isn’t a void, it’s fullness, 
it’s richness, it’s light wrapped in shadow. 

Let it carry the rhythm of culture, 
the heartbeat of diversity. 
In its depth is strength, 
in its texture, truth. 
It doesn’t hide, 
it never will. 
My skin drips cocoa butter, 
and in it lies the whole world.

@okelododdychitchats